「勿觸我」作為一個具有宗教意味的律令，從現象學的觸覺分析來看，可以拉出一個理論縱深。藉由「觸覺」與「勿觸我」這一組論題，本文出發點是，德希達與南希所勾串的一組從現象學到解構的系譜；進而嘗試將當代神學轉向中的現象學觸覺論帶入思考，藉由觸覺論內部的分析模式（昂希與克雷田）差異，突顯出觸覺論與身體、生命等問題複雜的關係。然而，也藉著觸覺論所組構出的界限經驗來鑲嵌入南希的基督教解構立場。在這一種來回的思考線索中，以「勿觸我」所涉及的觸覺分析為例，延伸道成肉身的傳統議題，進而剖析界限、差異與宗教經驗的當代意涵。

From a phenomenological perspective, “noli me tangere” as a religious imperative can contribute to a theoretical depth. In focusing on the problematic of touching and “Noli me tangere,” this paper begins from the genealogy proposed by Jacques Derrida and Jean-Luc Nancy and tries to take into consideration the theory of touching in the phenomenology characterized as theological turn. Through the difference of Michel Henry and Jean-Louis Chretien working within the theory of the touching, there appears a complicated relation between touching and body or life. Meanwhile this paper also inserts the deconstructive analysis of Christianity by Nancy into the articulation of experience of limit given in the problem of the touching. The analysis of the touching implied in the “Noli me tangere” considers the problem of incarnation in a new way to relate it to a contemporary significance of the limit, of the difference and of the religious experience.