第14期

十九世紀象徵藝術的言說世界與批判意識——透視藝術風格的另一種途徑 The Narrative Discourse and the Critical Consciousness of Symbolist Art : A Diferent Way to Define Art Style

作者
李明明
Author
Ming-Ming Lee
摘要

略論司馬遷的富利觀On Ssu-Ma Ch'ien's Views of Wealth and Profit-Making

/ 盧瑞容Ruei-Rong Lu

1

從山林天籟、遊湖娛樂到悲歌懷古——西湖詠詩在唐宋元時期發展的三個階段From the Mountain Forest and Sounds of Nature, Lake-tour Entertainment, to Sad Songs Nostalgia-The Three Stages for the Development on West Lake Chants in Tong, Song, and Yuan Dynasties

/ 侯迺慧Nai-Huei Hou

27

赫德在中法越南衝突期間所扮演的外交角色（1883-1885）Robert Hart's Diplomatic Role in the Sino-French Conflict in Vietnam 1883-1885

/ 陳欣之Shin-Chih Chen

119

"Human Right" as Heavenly Duty: A Mencian Perspective儒家的人權觀——古典孟子學的觀點

/ 黃俊傑Chün-Chieh Huang

157

The Modulation between the Realistic and Romantic Approaches to Nature and Man in Frost's Poetry佛洛斯特詩中寫實與浪漫的調和

/ 郭章瑞Chang-jui Kuo

157

Morality Books and the Grown of Local Cults; A Case Study of the Palace of Guidance由善書看台灣寺廟的發展以指南宮的兩善書為例

/ 康豹Paul R. Katz

203

Les Trois Criteres de YAN Fu (嚴復)：Traduction Libre Ou Traduction Directe嚴復的翻譯之原則“信達雅”：意譯與直譯之爭

/ CHIN DAY HSI金戴熹

241