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| 高達美《真理與方法》之遊戲概念與音樂連結 |
| The Game Concept and Music Link of Gadamer's "Truth and Method" |
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| 作者 |
華靜慈 |
| Author |
Ching-Tzu Hua |
| 關鍵詞 |
遊戲、
模仿、
轉化、
品味、
音樂
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| Keywords |
game,
imitation,
transformation,
taste,
music
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| 摘要 |
高達美《真理與方法》在論述遊戲概念時，會先由遊戲、遊戲者與觀眾之關係來與藝術做連結，再透過轉化、模仿與品味才得以讓遊戲變成音樂；進而將高達美的遊戲概念應用到韓德爾《彌賽亞》之「哈利路亞」來做分析與討論，並採用開放性的結論來完成本文。 |
| Abstract |
While discussing the concept of the game, Gadamer's "Truth and Method,"we will first connect the art with the relationship between the game, the player and the audience. And then we will transform the game into music through transformation,imitation and taste. Further more, we will use Gadamer's concept of the game to analyze Handel’s "Hallelujah." Finally, we hope we can reach a conclusions with flexibility. |
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