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第 65  期

專題論文
Special Issue

  (61)
聲音、音樂及其應用思考
Thoughts on Sound, Music and Thire Application
作者 蕭振邦
Author Jenn-Bang Shiau
關鍵詞 聲音音響音樂學音樂美學音樂治療
Keywords voice, audio, musicology, aesthetics of music, music therapy
摘要 本文試圖釐清,與音樂有關的專業探討,宜置於音樂學範疇;音樂美學的探究,由於涉及感性因子的考量,而與生活祈嚮(invocation) 有一定程度的嵌結,則當置於價值學(axiology) 範疇,這是探討音樂美學的首要區分。

本文創意揭露,音樂美學的重點在於考察音樂何以具有吸引
力 (attraction),以致人們會因而親近音樂,且讓它在人的生活中發揮重要功能,並成為人類的主要文化象徵。總之,音樂在我們的生活中扮演著極為重要的角色。是以,考量這種「吸引力」,本文也建議把音響(含器材)的探究置入音樂美學範疇。

本文最後揭示,「音樂」是人類聲響創作的登峰造極之做,而「美學」則是人類對「最優價值」(optimal value) 祈嚮的無悔追求,兩者的嵌結則呈現為人對「太和」——聲音元初狀態 (initial state)之和比——的期許與吟哦,而音樂正是把人類語言表述未竟之處,透過一種「悅『樂』形式」或發洩情緒模式)加以補足;音樂美學即把這整個符碼化(codified) 之程序加以解碼 (decoding) 的陳構(formula)。
Abstract This paper attempts to clarify the categorical differentiation between musicology, to which professional inquiry into anything related to music appropriately belongs, and the aesthetics of music, to which inquiry into axiology appropriately belongs, due to the latter’s involvement of aesthesis factor and connection with the invocation of life. Any study of aesthetics of music should begin with the understanding of this primary categorical differentiation.

This paper creatively reveals that the emphasis of the aesthetics of music lies in the investigation of the how of music’s attraction that brings people close to music, so as to exert of the aesthetics of music.

This paper finally reveals that music is the masterwork of the voice of human beings' creativity and aesthetics is the invocation of the optimal value of human beings. The connection of music and aesthetics presents human beings'expectation of "Taihe," the coincidence of the initial state of the sounds. By means of "Yuele" form (or emotional release), music expresses what language cannot express. The aesthetics of music is the decoding formula of the whole process of codification.
創所卅週年紀念專號導言
/ 蕭振邦    Jenn-Bang Shiau
1
訪談音響世界開拓者黃新民
/ 蕭振邦、黃新民    Jenn-Bang Shiau, Sin-Min Huang
3
大學通識音樂教育的推廣與實踐
/ 簡山根    Shan-Ken Chien
17
德布西長笛音樂中的開創性
/ 陳惠湄    Hui-Mei Chen
39
大音希聲所聽何物
/ 蘇子媖    Tzu-Ying Su
63
東野主人不善聽嗎?〈聲無哀樂論〉的 兩種聆聽
/ 廖育正    Yu-Cheng Liao
81
建置「禮樂」的完型 (Gestalt) 結構 — 禮樂文明的源流、原理與實踐
/ 曾暐傑    Wei-Chieh Tseng
105
高階音樂存有學中的作品類型辯論 是否只對哲學本身有益?
/ 許昊仁    Hao-ren Xu
131
從朱熹理解的古琴聲韻論其音樂美學
/ 劉振維    Cheng-Wei Liu
147
音樂表現的意義和情感 — 從「分析美學」的視角所做的解析
/ 劉悅笛    Yue-Di Liu
181
《莊子‧天運篇》「黃帝咸池論樂」 哲學義蘊新探 — 以鍾泰《莊子發微》 為核心的詮釋
/ 李德材    Te-Tsai Lee
207
高達美《真理與方法》之遊戲概念與音樂連結
/ 華靜慈    Ching-Tzu Hua
233
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