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第 65  期

專題論文
Special Issue

  (74)
大音希聲所聽何物
What Do You Hear From the Voice of Dao
作者 蘇子媖
Author Tzu-Ying Su
關鍵詞 道德經功夫論大音希聲
Keywords Tao Te Ching, practice of Tao, Great music has the faintest notes, Tao
摘要 「大音希聲」出自於老子《道德經》第四十一章。於十四章提到「聽之不聞,名曰希」,在此,關於「聽之不聞」是指作為人的主體在理解「道」時,人無法聽見,還是「道」沒有可能被形容?

我們都知道《道德經》首句:「道可道,非常道。名可名,非常名。」雖有多方論述,但大概的意思都是指出此道,不可言說、不可思議、不可見,若是強力描述都非真正的道本身。

如此,對之於「道」,人難道永遠都是以「道之外」的方式去認識它嗎?最多也只是貼近感受它的玄妙而已嗎?有沒有可能人透過功夫徑路,得以在「道之中」?

故本文由「大音希聲」這描繪「道」的語句出發,探究「大
音希聲」除了是揣摩形上事物樣態的描述外,有沒有可能是一種道家功夫論的指點。

其與物我相契的詩情有共通之處,但由於加入了身體這一維度,使其詩歌更能彰顯存在的深度。
Abstract "Great music has the faintest notes"comes from the forty-first chapter of Tao Te Ching. In the fourteenth chapter said:"We listen to it, and we do not hear it, and we name it the Inaudible". In the statement of "We listen to it, and we do not hear it" means that the person can’t hear "Tao"when he want to understand it, or is the "Tao"not likely to be described?

We all know the first sentence of the Tao Te Ching: "The Tao that can be told of is not the absolute Tao; The Names that can be given are not absolute Names." Although there are many discussions about the sentence, the general meaning is to point out that Tao is unspeakable, incredible, and invisible, if attempt descriptions that is not true to the Tao itself.

So, Is it always possible to know Tao in an outside? Does People only to feel the mystery of Tao? Is it possible for people to be in the Tao?

Therefore, this article starts from the statement of "Great music has the faintest notes" to discuss that is not only a description of the situation of Tao, but also a direction practice of Tao.
創所卅週年紀念專號導言
/ 蕭振邦    Jenn-Bang Shiau
1
訪談音響世界開拓者黃新民
/ 蕭振邦、黃新民    Jenn-Bang Shiau, Sin-Min Huang
3
大學通識音樂教育的推廣與實踐
/ 簡山根    Shan-Ken Chien
17
德布西長笛音樂中的開創性
/ 陳惠湄    Hui-Mei Chen
39
東野主人不善聽嗎?〈聲無哀樂論〉的 兩種聆聽
/ 廖育正    Yu-Cheng Liao
81
建置「禮樂」的完型 (Gestalt) 結構 — 禮樂文明的源流、原理與實踐
/ 曾暐傑    Wei-Chieh Tseng
105
高階音樂存有學中的作品類型辯論 是否只對哲學本身有益?
/ 許昊仁    Hao-ren Xu
131
從朱熹理解的古琴聲韻論其音樂美學
/ 劉振維    Cheng-Wei Liu
147
音樂表現的意義和情感 — 從「分析美學」的視角所做的解析
/ 劉悅笛    Yue-Di Liu
181
《莊子‧天運篇》「黃帝咸池論樂」 哲學義蘊新探 — 以鍾泰《莊子發微》 為核心的詮釋
/ 李德材    Te-Tsai Lee
207
高達美《真理與方法》之遊戲概念與音樂連結
/ 華靜慈    Ching-Tzu Hua
233
聲音、音樂及其應用思考
/ 蕭振邦    Jenn-Bang Shiau
263
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