The section of "Zhuangzi's Tianyun Pian" (天運篇)"Huang Di Xianchi's Theory of Music" (黃帝咸池論樂) is an important document in the discussion of music aesthetics and Taoism in Zhuangzi. It discusses the process of listening to the music of Huang Di at the Xianchi, which is mainly divided into three moments, "The shock of the first listening" (始聞之懼), "The Dai (rise-up,奮豫) of the re-examination" (復聞之怠), "The last heard of the transportations of Dao." (卒聞之惑). This article is based on Zhongtai's annotations of "Zhuangzi Fawei"(莊子發微), and compares the notes of others, then interprets it through the philosophical interpretation of the texts of "Zhuangzi" further. It mainly proposing: (1) This paragraph is not only Beimen Chengwen's (北門成)psychological reactions about Music (Tao), it also expresses the views of Zhuangzi on the process of Tiandao's (天道) transportations.(2) "The shock of the first listening", is not like the traditional annotations of fear caused by the inability to understand music or Tao at the beginning ,instead, it refers to the sensation of some kind of "shock" and "tearing" produced by Tao.(3) "The rise up of the re-examination" is not just to hear the sound again, so the heart of fear retreats; it is the course and moments of the "jumping" and "building foundation" of the Taoist. (4) "The last heard of the operation of Dao." is not limited to the realization of the Taoist realm after the disappearances of the distinction between the subject and the object, but the dual meanings of the "transportations" of Dao itself ,and also the sage's "transformations" of the individual things. We hope that this article can provide a new perspective of the interpretations of the contemporary "Zhuangzi".