Being one of the important styles of ancient Chinese literature, Tsu was featured by the unique regularity of creation and development. Similar to other literature styles, during its historical development of creation and theory, Tsu had been significantly tangled with other literatures, while maintaining its special and clear literature concept and scope, which characterized itself by the essence, the creation regularity and artistic style, leading to Tsu’s uniqueness, scope and connection with others. Therefore, it would help clarify the originality of Tsu’s development by exploring the essence of Tsu style. This article intends to historically investigate the development of Ching Tsu, and conduct an overall evaluation on the four major literature styles of Tsu. Concretely, all of the literature styles of Tsu in Ching dynasty constantly changed and transformed. The purpose of this study is to reveal the tangling facts and historical development of the original style and adopted style in order to discover the transformation of Ching Tsu from the dynamic, historical and developing perspective. It is expected that, by examining different insights from the four major schools about Tsu, the final momentum toward the promotion of Tsu in Ching dynasty can be disclosed.